What burdens do we place on ourselves? Are they always necessary, or do we sometimes wear the metaphorical chainmail around under our clothes just to impress ourselves? In this chapter we discuss, among other things, Denethor’s paradoxical hypervigilance at home and unwillingness to go to war himself—and what might have inspired him to such a position.
This chapter juxtaposes many characters and realms that we are eager to compare and contrast: Gondor/Denethor vs. Rohan/Théoden, foremost, but also Gondor vs. Mordor, as well as Denethor vs. Gandalf. We reflect in particular on the presence of hope and despair in this chapter, and in our lives.
Our discussion in this chapter begins with a deeper analysis of the desires, limitations, and motivations of Éowyn, especially in relation to both Aragorn and her uncle, Théoden. After that, we dive into the topic that occupies most of this episode: the enigmatic Púkel-men.
We are accompanied by Sara, a PhD student in Art History, who puzzles through our lectio divina section on the Púkel-men and Merry’s reaction to them. What was the intended purpose of these humanoid stone monuments? What is the purpose of preserving our own names and stories into posterity?
After contemplating the ambiguous chapter title, we analyze Aragorn’s choice (if a true choice it is) to take the “paths of the Dead.”
Other themes are the tension between Éowyn and Aragorn (and the second-person pronouns they use), the oath-breaker’s “worship” of Sauron in days past that led to their curse, and the solemn ritual that the Dúnedain perform before departing on their mission.
The Tolkien Heads are back in the swing of things as we follow Pippin on a tour of the breathtaking city of Minas Tirith. We break down the meeting between Gandalf and Denethor and discuss the similarities and differences between lordship and stewardship—and their etymologies, of course.
Special guest Charlotte, a PhD student in History, accompanies us as we look at Denethor’s relationship with his two sons, the problematic notions of blood purity in this chapter, and the history of the word book.
In this fascinating special episode we interview Markus Davidsen, whose PhD research is centered on religious traditions based in fictional works such as Star Wars and The Lord of the Rings. We discuss what the practices and origins of Jedi- and Elf-identifying groups are, what aspects of them typically draw in new practitioners, and to what extent practitioners consider these religions or spiritual paths to be integral in their lives. Markus even shares with us his experience on a Skype-facilitated shamanic journey to the Blessed Realm.
Click here to go to Markus’s site where you can find more information on his latest works.
We watched Peter Jackson’s Two Towers (2002) … and we have some thoughts!
Our goal with this “review” is not to identify all the differences between the book and the film, which has been done plenty of times already by more diligent note-takers than ourselves. Rather, in this special episode we focus on some particular themes of the Two Towers book and film, including
Sam’s purported simplicity (as characterized by Tolkien himself), and whether this is fair;
Gríma and his super-creepy movie scene with Éowyn, and the interesting source of some of his poetic dialogue;
the age-disparate celebrity couple Ara-wen and the might-have-been celebrity couple Éo-gorn;
and Rich’s unshakable suspicion that Gandalf the Grey and Gandalf the White are two different people.
Join us for a great conversation with Luke Shelton, an academic doing his doctoral research on the reception of J. R. R. Tolkien’s works—and also the films and video games they have inspired—among children and young adults. We interview Luke on his findings and he shares some fascinating insights with us.
Of course, we also run through our usual lectio divina method, focusing on a passage concerning some proverbial wisdom in The Lord of the Rings. (“Do not meddle in the affairs of Wizards, for they are subtle and quick to anger.”) We also explore the question of the in-world intended audience for Frodo’s text.